Yenko's 1,000HP Silverado Featuring a Manual Transmission and Rear-Wheel Drive Will Have You Burning Rubber | Carscoops

      Chevy and SVE have introduced a 1,000-horsepower Silverado equipped with a manual transmission, striking aesthetics, and limited availability, targeting dedicated truck fans.

      The 2026 Yenko SC Silverado boasts 1,000 hp thanks to a 6.2L supercharged V8 engine.

      SVE incorporates a six-speed manual transmission and rear-wheel-drive configuration for enthusiasts.

      Ordering is available now through Chevy dealers, with prices reaching into six figures.

      Street trucks may be on the verge of a major resurgence. Ford started the trend with the Lobo Maverick and Lobo F150. Following that, Ram partnered with Fox to create a 650-horsepower lowered truck. Now, Chevrolet and Specialty Vehicle Engineering are stepping up their game with a serious offering.

      The Yenko SC Silverado not only delivers an impressive 1,000-horsepower V8 but also features a manual transmission and rear-wheel drive. It's a bold move, and the audacity is truly admirable.

      More: GM Dealers Will Sell You A 1,000 HP Corvette Yenko S/C

      Starting with a 6.2-liter aluminum V8, SVE transforms it into a powerhouse. A forged 1538MV crankshaft, forged steel rods, forged pistons, upgraded cylinder heads, a high-performance supercharger, and a Boost By Wire system enable the engine to reliably produce four figures in horsepower.

      Buyers can select between a 91 or 93 octane calibration. A stainless steel dual catback exhaust provides a powerful soundtrack to the truck. Six-piston Brembo front brakes enhance safety with 16.1-inch vented rotors. However, the standout feature remains the manual gearbox.

      SVE equips the truck with a six-speed manual transmission, a feature absent in any offering from Ford or Ram. The chassis also receives thorough modifications, including a two-inch drop in the front and a five-inch drop in the rear. Fox performance shocks ensure the truck handles power effectively while maintaining stability in corners.

      More: Supercharged Pontiac Trans Am Tribute Chevy Truck Will Set Your Pants On Fire

      Aesthetically, SVE draws heavily from the classic Yenko design elements. Bold side stripes in colors such as Gloss Black, Hugger Orange, and Silver are offered. A cowl hood is adorned with a prominent 1,000 HP badge. Lightweight 22-inch wheels are available in various finishes, all fitted with Nitto tires.

      The badges featuring SVE and Yenko SC highlight that this is no ordinary Silverado. The sound, stance, and manual transmission further establish its uniqueness.

      What Will It Cost?

      For now, prospective buyers can order this truck through Chevrolet dealers or directly from SVE. Each unit comes with a comprehensive three-year, 36,000-mile warranty covering the engine and supercharger.

      As for the price, prepare for the numbers. SVE starts with a base model 2026 Silverado W/T, a 2WD Regular (Short) Cab with a Regular/Standard bed priced at $36,950, then adds the YENKO/SC package for an additional $89,995.

      When all is totaled, the price comes to approximately $127,000 for a truck designed more for outperforming high-end sports cars than for everyday practicality.

      Credit: SVE

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VW's "All-Black" Amarok is also available in blue and grey for those who didn’t grasp the concept | Carscoops The Dark Label edition reintroduces a more discreet Amarok featuring black accents, enhanced technology, and a V6 turbodiesel engine. $**Keeper, 2025** Directed by Osgood Perkins. Featuring Tatiana Maslany, Rossif Sutherland, Birkett Turton, Eden Weiss, Logan Pierce, Claire Friesen, Christin Park, Tess Degenstein, Glen Gordon, Erin Boyes, Erin Tipple, Gina Vultaggio, Evelyn Burke, and Ella Wejr. **SYNOPSIS:** A romantic anniversary getaway to a remote cabin takes a dark turn as a sinister force emerges, compelling a couple to confront the haunting history of the location. Keeper marks a return for horror director Osgood Perkins, though not necessarily regarding quality. While I usually avoid comparing films to one another, it feels apt here, especially considering the apparent pressure from Neon for the filmmaker to explore different horror styles every six months. Each film has varied greatly from the last, which is quite impressive, since Longlegs, for instance, weaves together numerous scare techniques and genre aspects. At this stage, it seems that Anthony Perkins' son is simply testing his technical skills as a director, employing a range of stylistic choices—such as dissolves, reflections, mirages, and fractures—alongside DP Jeremy Cox to delve into themes of identity and individuality. Aside from The Monkey—where there’s a clear personal connection tied to his parents’ tragic deaths—Osgood Perkins often appears emotionally detached from the narratives he presents (the screenplay for this film was crafted by Nick Lepard). Perhaps this is simply his nature as a storyteller who tends to be cold. Regardless, many of these films are beginning to feel rushed, as if Perkins is hastily producing them to refine and elevate his formal and technical abilities. Though the visuals are striking and the atmosphere is consistently unsettling, the underlying narrative (which touches on relationships and the loss of self within them) feels underdeveloped. In the story, Malcolm (Rossif Sutherland) takes his girlfriend, Liz (Tatiana Maslany, excellent at conveying fear), to his secluded family cabin in the woods. This surprises her old friend, as Liz is a city girl who doesn’t seem suited for rural life, which may hint at the first signs of her losing herself in this relationship. Compounding the issue is Malcolm’s seeming disregard for Liz's needs; she aspires to start a family and is making advances toward him sexually—though it's unclear how long this desire has been a topic of conversation or why they are together given their differing wants. Malcolm reassures Liz that the area is largely deserted with no one around, yet they encounter a mysterious caretaker who has baked a cake for them. Additionally, Malcolm’s self-absorbed cousin Darren (Birkett Turton) lives nearby with his latest non-English-speaking girlfriend (Eden Weiss), who appears to be using him to her advantage. After an awkward evening together, Liz starts to wonder if some of Darren’s superficiality is mirrored in Malcolm, questioning whether his kindness is simply a façade. The next day, the situation takes a stranger turn when Malcolm, a doctor, nervously informs Liz that he must briefly return to the city to check on a terminal patient whose family is distraught. Not only is Malcolm unsettling, but the cabin also carries an unsettling energy: strange, anguished sounds echo from the walls when silence falls, a locket is discovered in a nearby creek (the prologue suggests a darker history tied to the land), and Liz begins to have visions of eerie figures (including a woman with a bag over her head)—leading her to want to go home. It's notable that these odd events begin after they indulge in a slice of the aforementioned chocolate cake, which holds a dark secret. While some filmmakers have likened Keeper to a surreal David Lynch film, the narrative provides explicit explanations about what is unfolding. This revelation, however, feels somewhat lackluster and predictable, diminishing the impact of Tatiana Maslany's otherwise strong performance. Osgood Perkins does regain some momentum with a darkly humorous conclusion, but it still fails to transform the overall story into a fulfilling journey. In other words, Keeper isn’t a film to hold on to, despite Osgood Perkins being a skilled craftsman who excels at creating a haunting atmosphere. **Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★ ★** Robert Kojder$ **Keeper, 2025** Directed by Osgood Perkins. Featuring Tatiana Maslany, Rossif Sutherland, Birkett Turton, Eden Weiss, Logan Pierce, Claire Friesen, Christin Park, Tess Degenstein, Glen Gordon, Erin Boyes, Erin Tipple, Gina Vultaggio, Evelyn Burke, and Ella Wejr. **SYNOPSIS:** A romantic anniversary getaway to a remote cabin takes a dark turn as a sinister force emerges, compelling a couple to confront the haunting history of the location. Keeper marks a return for horror director Osgood Perkins, though not necessarily regarding quality. While I usually avoid comparing films to one another, it feels apt here, especially considering the apparent pressure from Neon for the filmmaker to explore different horror styles every six months. Each film has varied greatly from the last, which is quite impressive, since Longlegs, for instance, weaves together numerous scare techniques and genre aspects. At this stage, it seems that Anthony Perkins' son is simply testing his technical skills as a director, employing a range of stylistic choices—such as dissolves, reflections, mirages, and fractures—alongside DP Jeremy Cox to delve into themes of identity and individuality. Aside from The Monkey—where there’s a clear personal connection tied to his parents’ tragic deaths—Osgood Perkins often appears emotionally detached from the narratives he presents (the screenplay for this film was crafted by Nick Lepard). Perhaps this is simply his nature as a storyteller who tends to be cold. Regardless, many of these films are beginning to feel rushed, as if Perkins is hastily producing them to refine and elevate his formal and technical abilities. Though the visuals are striking and the atmosphere is consistently unsettling, the underlying narrative (which touches on relationships and the loss of self within them) feels underdeveloped. In the story, Malcolm (Rossif Sutherland) takes his girlfriend, Liz (Tatiana Maslany, excellent at conveying fear), to his secluded family cabin in the woods. This surprises her old friend, as Liz is a city girl who doesn’t seem suited for rural life, which may hint at the first signs of her losing herself in this relationship. Compounding the issue is Malcolm’s seeming disregard for Liz's needs; she aspires to start a family and is making advances toward him sexually—though it's unclear how long this desire has been a topic of conversation or why they are together given their differing wants. Malcolm reassures Liz that the area is largely deserted with no one around, yet they encounter a mysterious caretaker who has baked a cake for them. Additionally, Malcolm’s self-absorbed cousin Darren (Birkett Turton) lives nearby with his latest non-English-speaking girlfriend (Eden Weiss), who appears to be using him to her advantage. After an awkward evening together, Liz starts to wonder if some of Darren’s superficiality is mirrored in Malcolm, questioning whether his kindness is simply a façade. The next day, the situation takes a stranger turn when Malcolm, a doctor, nervously informs Liz that he must briefly return to the city to check on a terminal patient whose family is distraught. Not only is Malcolm unsettling, but the cabin also carries an unsettling energy: strange, anguished sounds echo from the walls when silence falls, a locket is discovered in a nearby creek (the prologue suggests a darker history tied to the land), and Liz begins to have visions of eerie figures (including a woman with a bag over her head)—leading her to want to go home. It's notable that these odd events begin after they indulge in a slice of the aforementioned chocolate cake, which holds a dark secret. While some filmmakers have likened Keeper to a surreal David Lynch film, the narrative provides explicit explanations about what is unfolding. This revelation, however, feels somewhat lackluster and predictable, diminishing the impact of Tatiana Maslany's otherwise strong performance. Osgood Perkins does regain some momentum with a darkly humorous conclusion, but it still fails to transform the overall story into a fulfilling journey. In other words, Keeper isn’t a film to hold on to, despite Osgood Perkins being a skilled craftsman who excels at creating a haunting atmosphere. **Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★ ★** Robert Kojder After years of deeming it unnecessary, Tesla might be subtly conceding to Apple.

Yenko's 1,000HP Silverado Featuring a Manual Transmission and Rear-Wheel Drive Will Have You Burning Rubber | Carscoops

Chevy and SVE have introduced a 1,000-horsepower Silverado featuring a manual transmission, eye-catching design, and limited production aimed at true truck aficionados.